If you could go back in time and change one thing, what would that be? Would you right a wrong, or selfishly target something to make yourself feel or look better?
“…better to keep the focus on yourself and leave the others to sort themselves out…”
Octavia Frost is a well-known author who has decided to create an addendum for each ending of her books. She’s rewritten the end of each story and compiled them into a new book – The Nobodies Album – named after a game she and her son played when he was a child – the stories that only exist in the imagination.
In delivering her manuscript to her publisher, she notices the news ticker across Times Square, announcing that her now rock star son is accused of brutally murdering his girlfriend. She leaves immediately for San Francisco to be near her son, whom she hasn’t talked to in four years.
And so the mystery story begins. Who killed Bettina (the girlfriend)? Did her son really do it? Why haven’t mother and son talked in so long? What did he read in her published book that turned him away from her? How did her husband and daughter die?
Parkhurst cleverly keeps you in suspense, and teases you by injecting the last chapters and rewrites of Octavia Frost’s novels just when cliffhanger clues might help solve the murder. You’ll be tempted to skip back to the action, but then you’d miss those peeks into Octavia’s subconscious. The rewrites offer endings with hope, but the originals speak to her regrets.
Could she rewrite her life along with the endings? Can she be there for her son or will she coldly use him as material for her next book?
Halfway through the book, it hit me– this is Mary Tyler Moore in Judith Guest’s Ordinary People.
Despite all the angst, emotional upheaval and selfish moments, Parkhurst delivers a good detective story. You might guess whodunnit – but by that time it will seem irrelevant.
Not an easy story to read, The Nobodies Album thankfully has an ending that does not need rewriting.