Something in the Water

Reese Witherspoon’s book club pick – Something in the Water – has me wondering when she will produce it for viewing. Catherine Steadman’s book has all the elements of a great series – exotic settings, unreliable characters, and plot twists favoring the female leads.

I listened to Steadman’s British tones reading the book for Audible and it was hard to not keep going into the night. The “something in the water” was not what I had expected and the hints of espionage and financial fraud added to the suspense.

Erin, a documentary producer, and Mark, an out of work hedge fund expert, go off on their honeymoon to Bora Bora. Mark, an expert diver, convinces Erin to overcome her fears to experience the beautiful underwater world. His cavalier comments about the sharks in the water had me suspicious, but what they find leads the adventure into murky waters as each plot twist combines danger and a new life for both.

Great fun to listen to.

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Summer Books – Not All Are Beach Reads

With the help of my friends, I found a list of easy books to capture my attention.

9780062562647  Carol Goodman, one of my favorite Gothic mystery writers, always adds a literary flavor to her stories as she maintains the suspense.  Her latest book – The Other Mother – had me reading through the night.  Daphne Marist and Laurel Hobbes, new mothers suffering from post-partum depression, meet in a support group and become best friends.  As Goodman develops the tale, I wasn’t sure which one had been murdered, if one had assumed the other’s identity, or even if there were really two women.  It’s a gripping page-turner and so much fun to read.

518SwKZGkdL._SX331_BO1,204,203,200_ Joanna Trollope’s modern version of Jane Austen’s Sense and Sensibility is easier to follow if you know the original story, and Janeites may know Austen’s novels well enough to predict exactly what will happen next.  Whether or not you are familiar with the plot (from Austen’s book or the movie with Emma Thomspon), this updated story  will make you want to read to the happy ending of Trollope’s version.

contentAfter avoiding her books for so long, I finally read the first in Louise Penny’s Chief Inspector Armand Gamache novels – Still Life.  I enjoyed it more than I had expected. In Still Life, Penny establishes the setting in Three Pines. Her description of this fictional town near Montreal made me want to book a flight to find it.  Gamache is introduced as the brilliant investigator who speaks fluent French as well as Cambridge educated English, and he starts each investigation with a croissant and a coffee – a civilized approach to murder.

Next on my agenda are two easy reads: a paperback I found buried in my stash – To Capture What We Cannot Keep – a nineteenth century romance by Scottish writer Beatrice Colin – set in the shadow of the Eiffel Tower construction; and Mary Alice Munroe’s beach read – appropriately titled Beach House Reunion.

Waiting in the wings:

  1. William Trevor’s Last Stories
  2. Frances Mayes’ Women in Sunight
  3. Madeleine Miller’s Circe

A great start to the summer…

Ways to Disappear

Although I finished Idra Novey’s Ways to Disappear today, I lost interest about half way through.  After checking reviews on NPR and the New York Times, I changed my approach.  At page 89, I stopped, went to the back of the book and starting reading it backwards – very satisfying.

Because Novey’s chapters are so short, sometimes only a paragraph, this approach may not have worked in any other book.

Novey, a poet and translator of books from Spanish and Portuguese into English, focuses her debut novel around a popular Brazilian writer, Beatriz Pagoda, and her American translator, Emma.  Beatriz climbs an almond tree in Copacabana with only her suitcase and her cigar and promptly disappears; Emma decides to leave her boyfriend in Pittsburgh to find the author in Brazil.

The story has fits and starts as Emma meets the author’s adult children, falls in love with Marcus, her son, and discovers Beatriz is a secret internet poker player with a massive debt. The local loan sharks are determined to recover their cash, and the search for Beatriz becomes a race among her publisher, looking for her next book; the cartel, looking for their money; and Emma, who uses clues from Beatriz’s novels to try to find her.

The action includes kidnapping, torture, and death, but also romance and adventure, and offers some reflections on how writers affect their readers.  In the end, Emma finds her true place, and the writer may or may not live on in her words. And yes, she is found.

The book was not a translation but it often read like one that had been originally written in another language, a little choppy and disconnected, but with enough intrigue and adventure for a good script.  If you are thinking Ways to Disappear is another version of Where’d You Go, Bernadette?, think again –

Delay Tactic 247

Unknown    I have a stack of books from the library I should read – award winning, thoughtful, well-written books – The Year of the Runaways (Man Booker), Fortune Smiles (National Book Award) among them.  I’ve renewed them, and they sit accusingly on my coffee table.

But I need something else – something light, distracting…

What I Am Reading:

P. G. Wodehouse’s Something Fresh on audible

The Life and Times of the Thunderbolt Kid by Bill Bryson on iPhone

Cruel Shoes by Steve Martin on iPad

Innocents Abroad by Mark Twain – battered old paperback

One of them should work to improve my mood.

Do you have any suggestions?

The Noise of Time

9781101947241_p0_v1_s192x300    To grasp Julian Barnes’ stream of consciousness rambling in The Noise of Time, background information on the narrator, famous Russian composer Shostakovich, is necessary, as is listening to his music.

With fleeting references to Dmitry Shostakovich’s youth as a musical prodigy, Barnes focuses the first part of his book on Shostakovich’s early success with his orchestrated Lady Macbeth of Mtsensk. Listening to the discordant and sharp tones can be both other worldly and agonizing. Despite world-wide acclaim, the opera irritated Stalin and the dictator left in the last act before the opera ends. As a result, Shostakovich was attacked in the Soviet press – usually a harbinger to miserable consequences in Stalin Russia. Fearing imprisonment – Barnes has him waiting every night by his elevator, expecting to be arrested.

Barnes successfully gets inside the composer’s head as he recounts the beginning of the Great Terror, in which many of the composer’s friends and relatives were imprisoned or killed, including his patron Marshal Tukhachevsky. Fearing for himself and his family, Shostakovich withdrew his next symphony and managed to write a conservative and non experimental Fifth Symphony in 1937 – conveniently title by the press as “A Soviet Artist’s Reply to Just Criticism.” Suddenly, he was back in favor. The seesaw continued through World War II in 1948 when a government decree accused him of perversion for his modernist music.

Part Two focuses on Shostakovich’s famous trip to the United States, as an emissary for Soviet Russia. The composer struggles with his inner convictions about music, and Barnes offers the theme of this tortuous tale, reflected in his title:

“Art belongs to those who create it and those who savor it. Art no more belongs to the People and the Party than it once belonged to the aristocracy and the patron. Art is the whisper of history, heard above the noise of time.”
As Shostakovich unconvincingly parroted the the voice of Power in Russia – “what he was supposed to think” – his renunciation of Stravinsky, the composer he revered, seem to affirm the American view that he was only trying to be safe. For years Shostakovich’s wrote works glorifying Soviet life or history, quietly endured a tutor to indoctrinate him in Marxist beliefs, even joining the Communist Party in 1960, under duress. Barnes offers Shostakovich’s inner turmoil as absolution for his betrayal of fellow artists in the name of the government.

Throughout, Barnes identifies the constant struggle of the artist – “When a composer is bitter, or in despair, or pessimistic…{his} music…strong and true and pure {is} enough to drown out the noise of time…” His life continued to be a balancing act between being true to his music and satisfying his government.

Not an easy read, The Noise of Time opens the history of Russian politics and the music of Shostakovich in his fearful and oppressive world.

I found Shostakovich’s banned opera – Lady Macbeth of Mtsensk – on the internet, and the library had a CD of his Seventh Symphony, which I played in my car whenever I was out and about.  Together, listening to his music and reading Barnes’ treatise, gave Shostakovich’s life  substance – but I doubt I will ever really understand either.

Related Review:  The Sense of an Ending by Julian Barnes