The Sound of Broken Glass

9780061990632_p0_v1_s260x420When I started to read The Sound of Broken Glass, Deborah Crombie’s story seemed familiar.  Although I had not read it before (I checked), the mystery neatly followed the formula of a police procedural, with detectives investigating the murder while slowly revealing their own personal lives.  Like two of my favorite detective series – Ruth Galloway and Claire Ferguson – the chief investigators are women. In this case, Gemma James is an Inspector in London, with her husband on leave from Scotland Yard to care for their new foster daughter, and her sidekick is Detective Sergeant Melody Talbot.

The life of a young handsome musician with the tortured background of a true artist  leads the plot, flipping back and forth from his past in the slums of South London with his alcoholic mother to his present day breakthrough as the newly discovered supertalent who haunts the guitar shops on Denmark Street in Soho.  His connection to the kinky strangulation of two London barristers twists the investigation into likely possibilities, until the real murderer is discovered.

This is my first experience with this British mystery series based on the adventures of Superintendent Duncan Kincaid and Detective Gemma James of London’s Scotland Yard.  Crombie doesn’t waste pages explaining their background and I will have to read her previous books to discover how the relationship led to marriage and the adoption of two foster children with tragic backgrounds, but none of the missing information detracted from this latest adventure.  Crombie is an American author now living in Texas, but her clever insertions of local London dialect, food, and lifestyle as well as detailed descriptions of the Crystal Palace and Notting Hill sustained a comfortable British flavor while offering a satisfying puzzle easily solved for fans of the British crime mystery.

 

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Arthur and George – by the Man Booker Prize winner

An innocent man was convicted of terrible crimes in Staffordshire in 1903, and Julian Barnes, recently awarded the Man Booker prize for The Sense of an Ending, uses the famous British Great Wyrley case as the basis for his historical fiction – Arthur and George.  Arthur is the well-known author of the Sherlock Holmes mysteries, Arthur Conan Doyle, who investigated the case; George is George Edalji, wrongly accused and convicted.

Barnes divides his story into four sections,   alternating between Arthur and George as he tells their backstories.  As George grows up financially comfortable in the Vicarage, dutiful to his father’s religious upbringing, Arthur scrounges for survival and plans how he will secure his family’s well-being after his drunken father is confined to an insane asylum.  Both boys grow into acceptable Englishmen – George, a lawyer, and Arthur, a medical doctor who writes detective stories for extra money.

The story seems slow and uneventful until George’s heritage is revealed and his family is threatened by strange annoyances  – deliveries of goods they had not ordered, postings in the local newspaper for the sale of the Vicarage, and  letters to the police falsely accusing the family of crimes.   George’s mother is from Scotland but his father, the Vicar, is Parsee from India.  The specter of racism lurks throughout the story as does George’s feelings of superiority.

When horses are found gutted in local fields, anonymous letters name George as the villain, and he is tried for the crimes of mutilating farm animals.  The cross-examination is based on hearsay and perception, but George is sentenced to seven years in prison.   George has read The Hound of the Baskervilles while awaiting trial, but the two men have not yet met.

Barnes flips to Arthur’s story, fleshing out the familiar pieces of Doyle’s personal life – his wife’s long illness, service in the Boer War,  knighthood, his relationship with his mother and his long-standing celibate love affair with Jean Leckie, his disdain and resurrection of the popular Sherlock Holmes stories, and, of course, his interest and belief in Spiritualism.   Barnes offers a slowly detailed humanization of the man many only know through his fictional characters or recent popular movies.

After over 225 pages, Arthur and George finally connect, when George appeals to Arthur to investigate his case.  Looking for relief from his despondence over his wife’s death after a prolonged illness, Arthur, now famous as the creator of Sherlock Holmes, meets with George and by his powers of deduction knows at once that George is innocent.

“They’ll rue the day they let this happen to an innocent man.”

Of course Arthur cracks the case, discovers the weapon,  suspects who committed the atrocities, and proves that George could not have been the offender.  Barnes stays close to the real 1900s case – George is exonerated, reinstated as a solicitor, and as a result of Doyle’s efforts,  the Court of Criminal Appeals was established in Britain – but the real criminal was never uncovered.

Although the case is solved, this book is more literary than mystery – the story secondary to the language.  Barnes methodically crafts images and thoughts, revealing his characters slowly.  He is more interested in the minds of the two men – these “unofficial Englishmen” –  than what they did.  When he does use dialogue, however, the conversations are crisp and pointed, moving the stalled plot.  If you like British flavoring with your reading – like Gardam’s Old Filth – you will appreciate the nuances and clever civilized remarks.

The ending fast forwards to Arthur’s death and a subsequent séance where Arthur supposedly speaks to his mourners through his favorite Medium – giving Barnes an opportunity to demonstrate Arthur’s interest in the occult in his later years.    George’s life in old age is as expected – he really has not changed his “stolid” outlook of life.   Included in his end notes, Barnes confirms that he has followed and documented the actual occurrences – sometimes the real story is just waiting to be told.

Arthur and George was shortlisted for the Man Booker Prize in 2005, but I would not have looked for it had Barnes not won this year.  Since I was not familiar with the real case or with Arthur Conan Doyle’s participation, the plot held some intrigue for me, but   the story was secondary to how it was told.