Trying to Keep Up – Turning the Pages

How do you like your books – hard cover with pages to bend over, electronic on a phone or pad, plugged into your ears? Mine come in all flavors – three I am reading now:

Hardback:

160px-Free_Food_for_Millionaires   After finishing and enjoying Min Jin Lee’s Pachinko, I found her first novel – Free Food for Millionaires – and am now ensconced in her beautiful language and another tale of Korean immigrants – this time in New York City.

“…a tale of first-generation immigrants stuck between stodgy parents and the hip new world with focus on contemporary intergenerational cultural friction.”

So far, Casey has graduated from Princeton, been thrown out of her father’s house for disrespect, finds her boyfriend in bed with two women, and has headed to the Carlyle Hotel In New York City with her new credit card…what next?

E-book:

contentIsabelle Allende’s In the Midst of Winter caught my eye and I am reading another tale of immigrants on my iPhone – this time in Brooklyn.

The novel revolves around three main characters: Evelyn Ortega, a twenty-year old young Guatemalan born, illegal immigrant;  Lucia Maraz, an older woman and a Chilean born academic who lives in exile in the United States; and Richard Bowmaster, her landlord and colleague, who was married to a Brazilian woman earlier in his life.  The three are thrown together when Richard rear ends the car Evelyn is driving. This minor accident draws the murdered body in the trunk of Evelyn’s car into the action.”

Audiobook:

51EQME-NuJL._SL150_   When I read a review of George Eliot’s Scenes of Clerical Life, I could not resist this classic.  It is available for free on Gutenberg Press, but with so many credits on audible, I decided to listen to it in the lovely British tones of Wanda McCaddon.

“This work, George Eliot’s fiction debut, contains three stories, all of which aim to disclose the value hidden in the commonplace.  The Sad Fortunes of the Rev. Amos Barton, through vignettes of his life, portrays a character who is hard to like and easy to ridicule. Many people ridicule as well as slander and despise him, until his suffering shocks them into fellowship and sympathy.  In Mr. Gilfil’s Love-Story, Eliot brings forth conflicting value systems revolving around a young woman, Caterina, and two men, Wybrow, who is capable of loving only himself, and Mr. Gilfil, whose love for Caterina is selfless and perceptive.  The story Janet’s Repentance is an account of conversion from sinfulness to righteousness achieved through the selfless endeavors of an Evangelical clergyman.”

Lots to read – hope I can keep all the story lines from overlapping.  What are you reading?

What’s In A Name? “Nom de Plume” Reveals All

Hiding a real identity sounds seductive and a little criminal, but writers have been using pseudonyms to mask their real names for a while.  Carmela Ciuraru focuses on a small group of famous writers and the reasons behind their deceit – some we already know about, but in each case, Ciuraru gives us more information than we may know, and feeds our hunger to know the person behind the name.

Why do writers use another name? In the case of the  Brontë sisters, it may have been the hope of better reviews, in a time when women were relegated to nonliterary pursuits. For Charlotte, aka Currer Bell, it worked – not so much for her sisters, Emily and Anne.

Trapped in an arranged marriage, George Sand (whose real name was Aurore) escaped to Paris.  With mentors like Balzac, Zola, Dumas, and Flaubert, she found the courage to write and publish – but under a man’s name. Her real life was bohemian for the times, living with her lover for six months and then returning to her country home to care for her child the other half of the year.  She flaunted her rebelliousness – smoking cigars, wearing sturdy boots; her disguise went beyond using another name.

Through sixteen chapters, Ciuraru explores the lives and writings of those we knew by another name, sometimes another life – from George Eliot, Lewis Carroll, Mark Twain, and O’Henry to Pauline Réage – and more.  Her style can be academic at times, but through her careful research, the information becomes biographical.  You may not want to read about all the authors, but it is possible to pick and choose, since each chapter is a story itself and each author is clearly identified in the chapter title.

As one who has used a pseudonym, I found myself immersed in the stories of the writers.  For most, their reasons for hiding behind another name were understandable; eventually, readers discovered the real name anyway.  But, for a time, they were able to stay secluded in their own worlds – without criticism or exposure – and keeping a piece of themselves to themselves – hard to do when you write.

“Never to be yourself and yet always – that is the problem.”                        Virginia Woolf

Carmela Ciuraru wrote an essay for the New York Times Book Review about pseudonyms that could be an introduction to her book – and she used her own name.

Read Ciuraru’s New York Times Article:  The Rise and Fall of Pseudonyms