Short Stories

thumbnail_IMG_4133    After listening to Lauren Groff read her short story “Dogs Go Wolf” in the New Yorker about two little girls, ages four and seven, left behind on a deserted island, I thought about why I preferred novels to short stories.  In Groff’s voice, the little girls came alive, their trials of fear and hunger seemed more acute than if I had read about it.  Their misery continues through a half hour – or six pages in the New Yorker – getting more and more horrible, until they eventually fall into a stupor – “two little girls made of air.”  To distract from the horror, Groff inserts a promise of their future – one becoming a lawyer, the other married – before returning to the blazing sun and the little wolves they’ve become.   By the end of the story, they are rescued, but the gap in their lives seems hollow in the short description of the incident on the island that made them whoever they became.   Perhaps Groff will write more in a novel.  I’d like to know more about these brave souls.

Short stories offer a quick glimpse into a moment of the characters’ lives.  Edith Pearlman and Jane Gardam have successfully navigated the difficulty of the short – both offering soundbites worth remembering.  I am looking forward to reading Penelope Lively’s collection in “The Purple Swamp Hen and Other Stories.”  When I write, I prefer the short story, as difficult as it may be to condense, to spending years with the characters of a novel – but maybe that will change.

For now, the short story is a quick diversion, and when well-written, has a lot to offer, but I still prefer immersing myself in the novel.  Claire Messud’s two little girls in “The Burning Girl” have me mesmerized right now, and I am glad to have them with me for longer than a short.

Do you have a preference?  short story or novel?

To hear Groff’s story – listen to the podcast here

Reviews of Other Books by Groff:

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Jojo Moyes – the Modern O. Henry

9780735221079_p0_v6_s192x300 While reading Jojo Moyes Paris for One and Other Stories, I could not help thinking of William Sidney Porter’s short stories.  Better know as O. Henry, Porter’s romantic tales always ended with a surprise, whether in the selfless romance of The Gift of the Magi or in the story of a sick woman hanging on with The Last Leaf.  In this collection, Moyes offers her wry outlook and, like O.Henry, ends each with a jolt.

The title story, “Paris for One,” is the longest – all 150 pages – and could easily be an hour long Christmas special.  When Nell’s boyfriend is not at the London station, she gets on the train anyway, hoping he is just late for their romantic weekend in Paris. Feeling alone in a strange city, Nell receives his message that he is not coming and decides to return to London. In a series of serendipitous occurrences, the story evolves into Nell’s emergence as a determined woman who finds true love in Paris.  Only Moyes could transform a melodramatic interlude into a funny and heart-warming story, leaving the reader satisfied and smiling at the ending.

The “Other Stories” include brief tales, peeking into the windows of familiar lives: the has-been actor who is being tortured with racy tweets, the frumpy mother who finds a pair of expensive shoes that change her outlook, the taxi driver who gives a harried woman the courage to live her own life, the jewelry store clerk who saves a burglar, the husband who buys his wife a coat they cannot afford, the couple who find their afternoon delight again after years of marriage, the woman who meets her old lover at a party, and the secret communication of a woman with a stranger’s phone.

If you enjoyed Moyes’ novels (see my reviews below), you will be delighted with this collection.  Not all the stories have happy endings but each has the author’s trademark wit and charm.

Reviews of Other Moyes Books:

 

Ninety-Nine Stories of God

9781941040355   In Pulitzer Prize winner Joy Williams’ flash fiction – Ninety-Nine Stories of God – the stories are so short, the impact takes a few seconds to reach – like the aftershocks of an earthquake.  Listening to the book on Audible is a definite disadvantage; the next story begins before the last has been fully absorbed.

Short parables anchored with a one or two word morals at the end, the stories range from strange encounters to joyful incidents to somber lessons. Some are only one sentence:

“We were not interested the way we thought we would be interested.”  The word after the story is “Museum.”

The Zen-like stories are not really about God (although he is omnipresent)  but quick thoughts about everything, anything – maybe seeking some deep truth – but too fast to linger in your mind.  No time to think about it -whatever it is – and maybe it doesn’t matter.  As I walked along, I heard:

“There are certain times where it does not matter If you hear the word yes or the word no in answer to your question, whether you turn left or right, you will reach your destination.”

Did I like the book? Yes, it was a great companion, although I was tempted to rewind a few times while listening.  If I really wanted to note the words of wisdom, I would read this in book form – but, I don’t.  A quick flash was enough and satisfying.

 

What Is Not Yours Is Not Yours

9781594634635_p0_v2_s192x300Helen Oyeyemi’s name was in the wind.  I heard her mentioned in the book I was listening to on Audible, The World Between Two Covers, and a friend suggested reading Oyeyemi’s celebrated Mr. Fox for a book club discussion. When Nancy Hightower of the Washington Post described Oyeyemi’s collection of short stories What Is Yours Is Not Yours as ” a series of loosely connected, magically tinged tales about personal and social justice,” and NPR called her writing masterpieces,  I decided it was time to read her.  Besides, the library conveniently produced What Is Your Is Not Yours in a day.  The universe must be calling.

Keys and locks connect the nine short stories, and as I read the first – “books and roses,” I had the same feeling I get when reading Haruki Murakami – what was I missing?  Some important undercurrent lurked just beyond my grasp, and if I could decipher the meaning, the reward would be great.  Despite rereading the first story, I’m still not sure.

Montserrat, a foundling girl left in a Catalonia chapel with a key hanging around her neck. grows up and finds work in a laundry, where she encounters Señora Lucy, a painter who also wears a key. The strange connection between the two women’s unrelated stories surprisingly merge at the end when Montserrat discovers she and Lucy are linked, as the keys unlock a beautiful garden, and a window into their lives.

Oyeyemi used revealing language to underscore her messages, and comprehension of her plots seemed secondary to reading her words, so I continued.

“Some new tax that only people with no money had to pay.  Or yet another member of the county police force was found to have been an undercover gangster.  If not that then a gang member was found to have been an undercover police officer. An Ottoman-style restaurant opened in a town nearby; it served no food but had a mineral water menu tens of pages long, and fashion models came to drink their way through it while we played football with their bodyguards.”

The second story “‘sorry’ doesn’t sweeten her tea,” begins with a house of locks and two friends, a rock star, and you-tube. Sisters Day and Aisha, who are being raised by their father and his boyfriend, deal with the news that their favorite singer has been accused of savagely beating a woman.When the rock star is exposed by the victim on you-tube, his fans’ reaction is to praise rather than condemn him, and he cynically uses his exposure as a vehicle for his next popular song.  Young Aisha, an ardent fan, now demands not only accountability but also his repentance.  The ending is satisfying, if other worldly, but had me wondering how we would all like to see some comeuppance for those who tend to “get away with it.”

Happy to have found Helen Oyeyemi, I will keep reading – seven more short stories in this book, and hope I will be able to discuss them with someone who has read them.

Have you?

Related Review:  Haruki Murakami

A Good Fit for Today’s Little Screens: Short Stories

la_readingcomprehensionShort stories are enjoying a renaissance, according to Leslie Kaufman in the New York Times article – A Good Fit for Today’s Little Screens: Short Stories.  A few favorite authors of novels have recently succumbed to short story collections that are worth looking for…

  • Karen Russell, author of Swamplandia –  short story collection: Vampires in the Lemon Grove
  • Jess Walter, author of  Beautiful Ruins – short story collection: We Live in Water
  • Amber Dermont, author of 2012 bestseller The Starboard Sea – short stories: Damage Control

Kaufman suggests these shorts are perfect for the digital age – quick and easy to download as a Kindle Single – fast reads for travel too.