Summer Romance

Summer is officially over, but the summer heat lingers.  Have you read anything steamy lately?

Here is my hot pick for historical romance:

bellewether-9781501116544_lg   Bellewether

Fans of Diane Gabaldon’s Outlander will relish Susanna Kearsley’s Bellewether, complete with romance, historical references, and a time-traveling ghost.

As Charley, the new curator of the Wilde House museum on Long Island, explores the history of the old house, her search parallels the world of the original 1750s family.  Kearsely alternates chapters in the voices of the men and women of the past with Charley and their modern day contemporaries.  The developing romance between Charley and Sam, the handsome contractor who is helping repair and restore the old house, mirrors the eighteenth century relationship of Lydia, twenty year old daughter of the house and Jean-Philippe, the French Canadian lieutenant staying in their house.

The story is slow-moving, bur offers glimpses into the lives of men and women living through one of the most comprehensive wars of the century.  Known as the French and Indian War in the American colonies, the Seven Years War ended with The Treaty of Paris transferring Canada from France to England, switching loyalties forever.  Kearsley also chronicle’s The Acadian Expulsion and its effect on families.

Prisoners during the French and Indian War were sometimes left in the homes of area farmers loyal to the British king under a gentleman’s agreement to do no harm and not try to escape.  Although he speaks no English, Jean Philippe volunteers to help Lydia’s father around the farm.  In the museum house’s legend, Lydia’s brother, Joseph, killed Jean Philippe to stop him from marrying Lydia.  In modern times, Charley is being helped by a mysterious ghost, possibly one of the colonial lovers, as she uncovers clues to the past.  In the end, the true history is revealed, conveniently creating a happily ever after ending for all.

More Historical Romances:

51qskWl-U4L._SY346_ Reading now on my iPhone: The Lost Vintage by Anne Mah

“A woman who returns to her family’s ancestral vineyard in Burgundy to study for her Master of Wine test, uncovers a lost diary, a forgotten relative, and a secret her family has been keeping since World War II.

51Idch895UL._SX331_BO1,204,203,200_  Listening to: The Subway Girls by Susie Orman Schnall

“A dual-timeline narrative featuring a 1949 Miss Subways contestant and a modern-day advertising executive whose careers and lives intersect.”

9781524742959_p0_v2_s192x300-1  On the Wait List at the library: The Masterpiece by Fiona Davis

“The glamorous lost art school within Grand Central Terminal, where two very different women, fifty years apart, strive to make their mark on a world set against them.”

The Masterpiece by Émile Zola

Cezanne's Studio

Cezanne’s Studio

 

When I visited Cézanne’s studio in Aix-en-Provence, the docent told the story of the childhood friendship between the artist and his friend, Émile Zola, as they both grew up in the beautiful countryside of Provence.  After Zola left for Paris as a young man, Cézanne decided the countryside was the place for him, but they kept their friendship alive through letters.  According to the tour guide,  when Zola sent a copy of his book L’Oeuvre, known now as The Masterpiece, to his old friend,  Cezanne recognized himself in the character of Claude Lantier, the failed artist from the provinces, rejected by the famous Salon, and never attaining the greatness he desired.  Cezanne never spoke to his old friend again.

28409I had thought to find the book but had forgotten, until recently a local book club chose The Masterpiece to discuss.  The electronic copy is available for free from Project Gutenberg, and I can finally satisfy my curiosity.

In researching the background for the book, I found Aruna D’Souza’s critical analysis in the essay Paul Cézanne, Claude Lantier, and Artistic Impotence:  

“Much ink has been spilled on the extent to which Claude Lantier, protagonist of Zola’s L’Oeuvre, was modeled on Paul Cézanne. Scholars argue over whether the novel is a thinly-disguised and unflattering biography of a single artist, Cézanne; whether its protagonist, Claude Lantier, is an amalgam of a number of artists including Cézanne, Édouard Manet and Claude Monet; or whether it is a work of pure fiction.  One must, of course, be careful in treating L’Oeuvre as anything but a powerful, inventive fabrication. And yet how tempting it is to read into Cézanne’s work and life some part of the character so compellingly described by Zola! Zola’s novel seems to provide one of the few real insights into this most inscrutable artist, not only in terms of the early biography of Lantier, for which Zola clearly mined his boyhood friendship with Baptistin Baille and Cézanne, but also in the kind of anguished frustration with which Lantier faces the very act of painting, in which we hear echoes of Cézanne’s own doubts. The “match” between Cézanne and Lantier seems too perfect, too potentially revealing, to discard wholesale.”

D’Souza’s reminder to accept the story as a work of fiction has me looking for a biography of Cézanne to compare the character to the artist. But first, Zola’s story – it promises to be a good one.